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live webcasts
 

Jazz at Lincoln Center Orchestra - Create Your Own

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Black, Brown & Beige & The Best of Basie

Rose Theater • 8:00PM

Thu, Apr 26 • Fri, Apr 27 • Sat, Apr 28

The Jazz at Lincoln Center Orchestra with Wynton Marsalis plays essential big band music by Duke Ellington and Count Basie. For the first part of the evening,the JLCO will swing through a number of classic Basie standards, channeling the unstoppable swing and iconic blues riffs that always brought the house down. The second half of the concert  will be a full performance of Ellington's groundbreaking masterpiece Black, Brown & Beige. Originally composed for his 1943 debut at Carnegie Hall, it was advertised as "Duke Ellington's first symphony," and Ellington described the powerful three-movement suite as a "tonal parallel to the history of the American Negro." 

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Celebrating Ornette Coleman

Rose Theater • 8:00PM

Fri, May 18 • Sat, May 19

The Jazz at Lincoln Center Orchestra with Wynton Marsalis celebrates one of jazz's great original geniuses: composer, Pulitzer Prize winner, and alto saxophonist Ornette Coleman (1930–2015). One of the all-time best melodists – regardless of musical tradition – this groundbreaking visionary left us with a profound body of work that demands ongoing exploration. With virtuosic big band arrangements of seminal works like "Una Muy Bonita," "Lonely Woman," and "Peace," the Orchestra will foray deep into Coleman's incomparable musical world.

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Wynton Marsalis

Rose Theater • 8:00PM

Thu, Jun 7 • Fri, Jun 8 • Sat, Jun 9

The Jazz at Lincoln Center Orchestra presents a rare concert devoted entirely to Wynton Marsalis' original music. In addition to a broad selection of favorites drawn from Marsalis' legendary career, the centerpiece of the evening will be the world premiere of Marsalis' new extended work: (The Ever-Funky Lowdown). This JALC-commissioned piece is the latest entry to Marsalis' renowned canon of music exploring America's relationship to racial matters, a topic he revisits once per decade. This subject has yielded some of his best work: the 1986 Grammy Award-winning Black Codes (From the Underground), 2007's From the Plantation to the Penitentiary, and 1994's Blood on the Fields – the first jazz composition ever to win a Pulitzer Prize.